Archive for the ‘Rants’ Category

I’ve been off traveling for work and pleasure, so I’ve been neglecting my blog duties, but Kari, Todd, Alex and Trevor have done a STELLAR job of posting interesting stuff in my absence (and when I’m here, as well). I have so much to write about, I don’t know where to start. 

I’ve been in NYC for the Le Book Connections event. I’ve got lots of photographers and agencies to rant about… but I’ll post in bits to keep you interested. I’ve also got great news to come on NY gallery shows, the lovely Dona and NYC street art. 

Before heading to NY, I shot up north to Connecticut  to visit my lovely Gram. Here’s me and Gram (obviously on an earlier trip, but we found some great old photos that I couldn’t pass up sharing). Highlight of the Grandma trip was definitely water aerobics at the retirement community! 



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I’m not bashing anyones trade here and I respect the skills photoshop retouchers have but really? when did it become know as photography to not compose a shot on camera and create cool lighting on set? to build a masterpiece from pieces of mediocre photography? EVERYTHING nowadays is photoshop…take the recent cover of Vouge with Gwyneth Paltrow for example…its seems as if they tried to make her and the entire set look as fake as possible! My god you guys, she’s gorgeous without that much airbrushing.

As a photographer I wouldn’t want my name on a “Photo” that is 99.9 percent photoshoped imagery. But wether you agree with me or not, check out Christopher Huet’s photoshop skills. Its kind of disturbing when you watch the process.

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“The superficial” ran a piece that came across Jeff’s desk here at Nemo. There is a coming of age story in here. When I was at BIKINI magazine/ Ray Gun (1992) we photographed Alyssa Milano nude in the desert and it was a huge deal. She was a child actor trying to avoid the child actor syndrome and striped for the magazine. It was mild. Her mother was there and knew about the entire shoot and I even wondered if she staged the shoot. Janet Jackson, Lindsay Lohan have all signed deals with the devil to continue their careers. Here we have Hanna Montana aka Miley Cyrus needing to make the transition as well. This is how Hollywood does it people. Her audience is growing and it is sad but true. Jodi Foster made the leap from child star to Oscar winner based on her reputation as an incredible actress. She did it.

Annie Leibovitz issued the following statement to People: “I’m sorry that my portrait of Miley has been misinterpreted. Miley and I looked at fashion photographs together and we discussed the picture in that context before we shot it. The photograph is a simple, classic portrait, shot with very little makeup, and I think it is very beautiful.”

Apparently Disney, who owns Hannah Montana, was not aware of the photos until they appeared on Entertainment Tonight. You know how Disney cares about that wholesome image. They don’t want their young starlets flashing their goods until they’re good and insane. Right, Britney Spears? Now get that kitten out of your mouth. For the last time, putting hot fudge on it doesn’t make it food. You gotta use ketchup.

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Hedi Slimane is an ex-designer for DIOR homme, and is accredited for putting men’s high-fashion on par with women’s. Most noted is his the thin silhouette of his menswear, which has even made his way into today’s street fashion. Along with apparel design, his background also includes: furniture design, store design, fragrance and photography. Which brings us to today’s post. His subject is Kate Moss. Yes, we have all seen Kate do her thing for the past decade but, still, to this day, she with Hedi behind the lens, they make some compelling imagery together. Without further ado…


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Time, it does not exist. Right? Or at least it is about as real as state borders and longitudinal lines. Yet, this human construct is how we frame our lives. It tells us when to get up in the morning, when we can go home from work, or even when to eat. So it is no surprise that we as humans have been obsessed with creating functional and beautiful timepieces since time was of the essence.

            And nobody owns the creation of time like the Swiss, and mainly the swatch group. We all remember the hay days of the Swatch Watch, (and if you don’t, please leave our site now) inexpensive plastic fashion watches with real Swiss movements! Swatch means second watch and it was hot to wear more than one at a time, 80’s teens could often be found wearing 2 to 10 watches at once. Artists like Vivienne Westwood, Basquiat and Keith Haring were commissioned to design special models for Swatch, which took them to a cult status. Now days the Swatch watch is mostly overlooked here in North America, but few realize how broad the Swatch group is. Within the Swatch family are names like Calvin Klein, Rado, Tissot, and prestige brands like Omega, Breguet, Longines, and Glashutte. Pictured above is a Longines skeleton watch, skeleton is an industry term that refers to the watches movements being visible to the wearer, as you might imagine this design is a watch makers favorite. So weather you have $50 to drop on a watch or $500,000 there is a model for you, even though your ¼ million-dollar time piece still wont guarantee you wont miss your lunch date.

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What do you get when you mix a provocative photographer, a reigning streetwear brand, and a certain chartreuse muppet? One not-to-be-missed show, that’s what. On March 3rd, Terry Richardson + Supreme + Kermit opens at Colette (Richardson has shot Supreme campaigns in the past), an photography exhibition featuring Richardson and Kermit, Kermit and a Supreme skate desk, someone dressed as Kermit dressed in Supreme…and just about every other combination of the three imaginable. No longer must you feel shame for being a Sesame Street fan.

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 Vincent Skoglundwww.vincentskoglund.com

I had a chance to catch up with my buddy Vincent Skoglund. He recently reworked his website and you can see it here.

I see in your “BIO” section of your website you have entered your bio as “When not traveling, Vincent Skoglund lives in Stockholm, Sweden” I was hoping to get more of a background story about you. Where you grew up, things you were interested in as a kid, the first time you got busted by the cops, the first time you picked up a camera and decided in that moment you wanted to be a photographer.

I grew up in Falun about 2 hrs north of Stockholm on the countryside. I was, as a kid really interesting in drawing and painting. I also remeber that I wanted to be a boss or an artist when I grew up. I guess that being a self-employed photographer that is as close as I can get. I got busted by the cops when I did my first graffiti on a wall in a parking garage. There was only one window of a flat that could see us. That one flat hosed the chief of police in falun. So 3 cop cars busted us. That was pretty much it for my short-lived graffiti career.

Snowboarding has been a big part of your career. Could you make a connection to how snowboarding has help you evolve as a photographer?

Most of all Snowboarding has been a fantastic way of learning about people, the world and life in general. All the travels and new discoveries. This is what has had the biggest impact on me. Photography-wise, shooting as much as I did when I did snowboarding full time was really what made me evolve. I started young so it was like a life school. Also the commisions from snowboarding companies was so loose there was so much room to be creative. The brief would be like “Vincent, we love your photography just keep doing it”. It was also open for any type of photography, portraits, landscapes, action, life…

In the past 10 years, what would you say has been your most memorable snowboard trip/ shoot?

2 years ago I had a funny and hectic schedule. It was a trip around the world with back to back commitments of very different kinds. Something like this:

1. Paris opening of the Adicolor exhibition. 2 days.

2. Vermont. Shooting, read hunting, Shaun White at the US open. During the pipe contest. For Burton snowboards. 3 days.

3. Whistler, Shooting with Jussi Oksanen and Tadashi Fuse in the Backcountry. A really heavy sled mission since we got a few feet of fresh pow. 6 days.

4. Miami, Shooting tennis with Boris Becker. 2 days.

5. Hong kong, Opening of the adicolor exhibition and press. 3 days.

Adicolor– is an amazing body of work, can you give me a brief explanation of the assignment?

23 different artists around the world got invited to do a shoe and a tracksuit each based on a color. On a 6 week trip around the world I went to meet most of the artists involved in the adicolor project. It turned out to be a fantastic trip of inspiration and great people. Meeting the artists in the places were they work and were they get their inspiration. Since they all have different backgrounds, they have very different ways of being creative, that was great to see. Creativity is the red line that ties everyone together.

The comission from Adidas, was to make my own creative interpretation of the artists, places and the adicolor project in general. Very much a dream job that resulted in little bit more than 100 prints, that got exhibited around the world.

On the WeSC headphone campaign (girls plugged into a pineapple) you are listed as Photographer/ Art Direction. Could explain the new role of Art Director and what it means to you?

It is interesting for me to shoot ideas I am interested in.

The Burton Un-Inc portraits are amazing, the set looks very art directed and I am sure there are some stories here. Can you share a story about the Un – Inc work. (Romain and Gigi with puppies)

Thanks, I worked together with Lance Violette on that shoot. Really fun. We bounced some ideas back an forth a few weeks ahead of the shoot and came up with the night / day concept which is inspired by 60’s music covers and 80’s heavy metal covers. Then all the puppies and kittens shows up as well, with their owners. It was a fun shoot!

I get a feeling there is nothing in the world that scares you physically, mentally or creatively. The Svenska spel work has some amazing post production work, the JC work is a challenge in the lighting and action and Nike and Burton have you on top of a mountain, that I am sure is sketchy. How do you keep focus and creativity? Maybe a comparison between these very different shoots and how they are similar and different.

Lots of times on commercial shoots it is about improving what I got in front of me as much as possible. Making sure the angle, light, composition etc is as good as possible. Of course there is also a thought process before that is very important, to make sure that I do it the right way. I like to get to meet with the art director ahead of the shoot to take the ideas the extra mile and be as good as possible. JC and Svenska spel was well planned ahead of the shoot. With the Nike work we got locations that looked good, then it’s about making it something special. The Burton latest campaign I did for them was with a very snap / reportage approach. That was so much fun. Being in the right place at the right time. Try to get moments that convey the great and fun things about snowboarding.

It is funny how Art Buyers may put a shooter into a category. Categories may include Portrait, Lifestyle, Fashion and Editorial. In a good way I have no way of stereotyping your work, you pull it all off so well! When you think of your work and where you are heading, can you categorize yourself? What interests you in all these types of photography?

I am not really interested in categorizing myself. I like the idea that it is not so much about what you shoot as to how you approach it and how it feels when you look at it.

I hate to do the cliché question but I think it is still a good one for you, when you think of the future, 5 years, 10 years down the road, where do you see yourself going?

I am currently working on a few different personal projects. Having the first of the second solo exhibition with the series “Lightyears” in a few weeks. This exhibition will go from there on some kind of tour. A group show at the Art Basel in NYC as well, with prints from the “Lightyears” series. I am in also putting together a book about the snowboarding life and the people around it. Looking at what interests me at the moment I think I will be doing lots more series that will evolve from the “Lightyears” series. I will become more personal with my work as well.

Thanks Vincent for your insight! I hope to connect soon!  



Vodpod videos no longer available. from picasaweb.google.com posted with vodpod

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