Archive for April, 2008
Posted in Rants, Trevor Graves, tagged Alyssa Milano nude, Annie Leibovitz, Bikini Magazine, Hanna Montana, Janet Jackson, Jodi Foster nude, Lindsay Lohan, Miley Cyrus nude, nemo design, Nemo Productions, Ray Gun, The Superficial, Trevor Graves on April 29, 2008| 7 Comments »
“The superficial” ran a piece that came across Jeff’s desk here at Nemo. There is a coming of age story in here. When I was at BIKINI magazine/ Ray Gun (1992) we photographed Alyssa Milano nude in the desert and it was a huge deal. She was a child actor trying to avoid the child actor syndrome and striped for the magazine. It was mild. Her mother was there and knew about the entire shoot and I even wondered if she staged the shoot. Janet Jackson, Lindsay Lohan have all signed deals with the devil to continue their careers. Here we have Hanna Montana aka Miley Cyrus needing to make the transition as well. This is how Hollywood does it people. Her audience is growing and it is sad but true. Jodi Foster made the leap from child star to Oscar winner based on her reputation as an incredible actress. She did it.
Annie Leibovitz issued the following statement to People: “I’m sorry that my portrait of Miley has been misinterpreted. Miley and I looked at fashion photographs together and we discussed the picture in that context before we shot it. The photograph is a simple, classic portrait, shot with very little makeup, and I think it is very beautiful.”
Apparently Disney, who owns Hannah Montana, was not aware of the photos until they appeared on Entertainment Tonight. You know how Disney cares about that wholesome image. They don’t want their young starlets flashing their goods until they’re good and insane. Right, Britney Spears? Now get that kitten out of your mouth. For the last time, putting hot fudge on it doesn’t make it food. You gotta use ketchup.
“Attention art buyers and photo editors, this is a free promo that’s meant to supplement all the other ways you find photographers to hire. I created it see if there might be an easier more efficient way to quickly look at 200-300 photographers. Compared to the weekly promo pile this works pretty good. Plus, if you’re like me, you remember a picture and not necessarily who took it so you can come back to this slideshow and find the name and website of the photographer whenever you like. This project only works if you find work you like and hire the photographer. I can create more of these but it’s a complete waste of time if it doesn’t connect buyers with photographers. That’s the only reason I did this. If you have suggestions on how to make the next one more useful for you please let me know.”
Posted in News, Trevor Graves, tagged action photography, Camera Review, Canon, Canon Eos3, kyak, nemo, nemo design, Nemo photography, Nemo Productions, Nikon D3, nikon d3 review, tevor graves on April 28, 2008| Leave a Comment »
It wasn’t an intentional test drive for either system… The harsh reality of shooting professionally, is that ability overcomes harsh situations. This story outlines just such an event. Neither the Nikon D3 vs. Canon EOS3 is my primary system, my main “gun” is the Nikon D2X. Keep in mind, I am an old film guy who has taken on the learning curve of the digital world.
In all fairness to the tech geeks seeking out technical reviews on the camera systems, this story isn’t going to go there. It is more of an emotional walk with the camera systems just as a creative working a brush on their canvas. (more…)
UnionDocs presents a photography and video installation by Brooklyn-based artist, Sam Falls. Please come to UnionDocs on Friday, May 9th and enjoy the opening night shindig. Party time is 7-10pm.
In a departure from traditional studio portraiture, Falls uses expansive natural settings as the backdrops for carefully constructed portraits. The large color photographs in many of his series depict eerie scenes in which the viewer feels an unavoidable tension between the stillness of the landscape and the urgency of the protagonist.
Falls’s large color photographs depict an instant within a longer video piece–or vice versa–the video footage documents the process of taking a still photograph. For this installation, Falls recorded video footage of the same scene that he then photographed with his medium-format camera. The installation requires the viewer to literally stand between the static and the dynamic images, and in doing so, it urges the viewer to question notions of time and space in relation to photo-documentation.